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A history of music

One hundred composers,
a thousand years of music

Come and meet
the great musicians!

From Hildegard von Bingen’s chant to Steve Reich’s pulses: timelines to place each life, freely licensed excerpts to listen to, full biographies to understand.

100composers
195excerpts to hear
10eras
The composers

Choose an era

Ten broad periods to find your way: tap an era to filter the list, or search for a name, a work or an instrument.

1098 – 1179Middle Ages

Hildegard von Bingen

Abbess, thinker and composer, she combined spiritual poetry with expansive melodic lines.

c. 1135 – c. 1201Middle Ages

Léonin

Associated with Notre-Dame in Paris, he is a foundational figure of polyphonic organum.

c. 1160 – c. 1230Middle Ages

Pérotin

At Notre-Dame in Paris, he developed polyphony by combining independent vocal lines.

1291 – 1361Middle Ages

Philippe de Vitry

Bishop, poet and theorist, he is associated with the fourteenth-century Ars nova.

c. 1300 – 1377Middle Ages

Guillaume de Machaut

A poet and musician, he joined courtly song with sophisticated polyphonic writing.

c. 1390 – 1453Renaissance

John Dunstaple

His English music helped spread a new harmonic language across Europe.

c. 1397 – 1474Renaissance

Guillaume Dufay

Working between France and Italy, he bridged medieval traditions and Renaissance style.

c. 1410 – 1497Renaissance

Johannes Ockeghem

A Franco-Flemish singer and composer, he developed remarkably sophisticated vocal counterpoint.

c. 1450 – 1521Renaissance

Josquin des Prez

His music lets voices converse with striking expressive clarity.

c. 1457 – 1505Renaissance

Jacob Obrecht

A Franco-Flemish composer celebrated for inventive polyphonic masses.

c. 1525 – 1594Renaissance

Giovanni Pierluigi da Palestrina

He epitomized balanced vocal polyphony in Renaissance sacred music.

1532 – 1594Renaissance

Orlando di Lasso

A cosmopolitan musician based in Munich, he wrote in many languages and genres.

c. 1540 – 1623Renaissance

William Byrd

An English Catholic composer, he wrote deeply expressive music amid religious tensions.

c. 1548 – 1611Renaissance

Tomás Luis de Victoria

A Spanish priest and composer, he brought remarkable expressive intensity to sacred polyphony.

1567 – 1643Baroque

Claudio Monteverdi

Bridging Renaissance and Baroque, he made dramatic emotion central to music.

1583 – 1643Baroque

Girolamo Frescobaldi

A Roman organist who transformed keyboard writing and the art of variation.

1585 – 1672Baroque

Heinrich Schütz

He brought Italian expressive innovations to German sacred music.

1587 – c. 1641Baroque

Francesca Caccini

A Medici court musician, she was a pioneer of early Italian musical theatre.

1619 – 1677Baroque

Barbara Strozzi

A Venetian singer and composer who published extensive vocal collections under her own name.

1632 – 1687Baroque

Jean-Baptiste Lully

At Louis XIV's court, he shaped French opera and ballet music.

1643 – 1704Baroque

Marc-Antoine Charpentier

A French composer of sacred and theatre music, he mastered Italian style.

1653 – 1706Baroque

Johann Pachelbel

A German organist who influenced the south German keyboard tradition.

1656 – 1728Baroque

Marin Marais

A court musician under Louis XIV, he elevated the viola da gamba as a solo instrument.

1659 – 1695Baroque

Henry Purcell

His stage music blends melodic subtlety and emotional force.

1668 – 1733Baroque

François Couperin

A French court harpsichordist, he blended French elegance and Italian influences.

1678 – 1741Baroque

Antonio Vivaldi

A Venetian violinist and priest, he reshaped the concerto through contrast and virtuosity.

1681 – 1767Baroque

Georg Philipp Telemann

A prolific composer, he led Hamburg's musical life and combined European styles.

1683 – 1764Baroque

Jean-Philippe Rameau

A harmony theorist and man of the theatre, he brought bold colors to French orchestration.

1685 – 1759Baroque

Georg Friedrich Haendel

Born in Germany and active in London, he excelled in oratorio and public spectacle.

1685 – 1750Baroque

Johann Sebastian Bach

An organist and master of counterpoint, he built musical structures of exceptional depth.

1710 – 1736Baroque

Jean-Baptiste Pergolèse

An Italian composer who died young and shaped comic opera and sacred music.

1714 – 1788Classical

Carl Philipp Emanuel Bach

Son of J. S. Bach, he helped shape an expressive transitional style.

1714 – 1787Classical

Christoph Willibald Gluck

He reformed opera by prioritizing drama over vocal display.

1732 – 1809Classical

Joseph Haydn

A major figure in symphony and quartet, he combined invention, humor and balance.

1743 – 1805Classical

Luigi Boccherini

A virtuoso cellist who greatly expanded classical chamber music.

1752 – 1832Classical

Muzio Clementi

Pianist, publisher and piano maker, he shaped modern piano technique.

1756 – 1791Classical

Wolfgang Amadeus Mozart

A child prodigy who mastered opera and symphony, he combined grace with emotional depth.

1770 – 1827Classical to Romantic

Ludwig van Beethoven

He expanded classical forms and made music a powerful personal dramatic statement.

1778 – 1837Classical to Romantic

Johann Nepomuk Hummel

A pianist and composer bridging Viennese classicism and Romantic virtuosity.

1782 – 1840Classical to Romantic

Niccolò Paganini

A virtuoso violinist who transformed instrumental technique and the soloist's public image.

1797 – 1828Romantic

Franz Schubert

His songs transform poetry into intimate and expressive musical storytelling.

1803 – 1869Romantic

Hector Berlioz

He imagined spectacular orchestras and told stories through instrumental colors.

1804 – 1875Romantic

Louise Farrenc

A pianist, composer and Paris Conservatoire professor, she championed instrumental music.

1805 – 1847Romantic

Fanny Mendelssohn

A composer and pianist who wrote hundreds of works despite social constraints.

1809 – 1847Romantic

Felix Mendelssohn

A conductor and composer who revived Bach and wrote music of great clarity.

1810 – 1849Romantic

Frédéric Chopin

At the piano, he combined virtuosity, poetry and memories of Polish dance.

1810 – 1856Romantic

Robert Schumann

A composer and critic, he explored psychological contrasts in piano music.

1811 – 1886Romantic

Franz Liszt

A star pianist, he invented new forms and developed the symphonic poem.

1813 – 1901Romantic

Giuseppe Verdi

His operas give unforgettable voice to human passions and conflicts.

1813 – 1883Romantic

Richard Wagner

He envisioned music drama as a unity of orchestra, poetry and stagecraft.

1818 – 1893Romantic

Charles Gounod

A French composer who shaped Romantic opera and sacred music.

1819 – 1896Romantic

Clara Schumann

An internationally renowned pianist and composer, she also championed contemporary music.

1822 – 1890Romantic

César Franck

An organist and teacher who developed cyclic forms in French music.

1824 – 1884Romantic

Bedřich Smetana

A leading Czech composer who joined opera, symphonic poetry and national identity.

1833 – 1887Romantic

Alexandre Borodine

A chemist and composer who combined scientific research and musical creativity.

1833 – 1897Romantic

Johannes Brahms

He reinvented classical forms with Romantic intensity and dense thematic craft.

1838 – 1875Romantic

Georges Bizet

His opera Carmen, initially controversial, became a landmark of musical theatre.

1839 – 1881Romantic

Modeste Moussorgski

A member of The Five, he sought an original dramatic and vocal language.

1840 – 1893Romantic

Piotr Ilitch Tchaïkovski

His ballets and symphonies unite memorable melodies and dramatic emotion.

1841 – 1904Romantic

Antonín Dvořák

He blended symphonic tradition with Czech and American folk inspirations.

1843 – 1907Romantic

Edvard Grieg

He created evocative soundscapes inspired by Norwegian traditions.

1844 – 1908Late Romantic

Nikolaï Rimski-Korsakov

A brilliant orchestrator whose sound palette influenced generations.

1857 – 1934Late Romantic

Edward Elgar

An English composer combining orchestral grandeur and intimate lyricism.

1860 – 1911Late Romantic

Gustav Mahler

His vast symphonies confront nature, irony, love and existential questions.

1862 – 1918Impressionism and modernity

Claude Debussy

He transformed harmony and orchestral color through suggestion rather than direct narrative.

1864 – 1949Late Romantic

Richard Strauss

He pushed Romantic orchestration toward extraordinary richness and contrast.

1865 – 1957Late Romantic

Jean Sibelius

He composed organic forms inspired by Finnish landscapes and culture.

1866 – 1925Impressionism and modernity

Erik Satie

With spare pieces and wit, he challenged Romantic grandiosity.

1867 – 1944Late Romantic

Amy Beach

An American pianist and composer who excelled in symphonic and chamber music.

1872 – 1915Impressionism and modernity

Alexandre Scriabine

A pianist and mystic who explored chromatic harmony and multisensory projects.

1872 – 1958Late Romantic

Ralph Vaughan Williams

An English composer inspired by folk songs and choral tradition.

1873 – 1943Late Romantic

Sergueï Rachmaninov

A virtuoso pianist, he carried Russian lyric Romanticism into the twentieth century.

1874 – 1951Modernism

Arnold Schönberg

A pioneer of atonality and twelve-tone composition who redefined musical structure.

1874 – 1954Modernism

Charles Ives

An experimental American composer who layered hymns, marches and tonalities.

1875 – 1937Impressionism and modernity

Maurice Ravel

A meticulous orchestrator, he combined precision, dance and instrumental color.

1881 – 1945Modernism

Béla Bartók

A researcher of folk music, he transformed rhythms and modes into a modern language.

1882 – 1971Modernism

Igor Stravinsky

His rhythmic disruptions and stylistic reinventions shaped twentieth-century music.

1883 – 1945Modernism

Anton Webern

An Austrian composer who distilled ideas into brief, precise forms.

1885 – 1935Modernism

Alban Berg

A pupil of Schoenberg, he combined modern techniques with dramatic intensity.

1887 – 1953Modernism

Florence Price

The first Black woman to have a symphony performed by a major US orchestra, she blended classical and African American traditions.

1887 – 197920th century and today

Nadia Boulanger

A teacher and conductor who influenced generations of musicians.

1891 – 1953Modernism

Serge Prokofiev

His angular melodies, sharp rhythms and theatrical flair appeal to all ages.

1892 – 198320th century and today

Germaine Tailleferre

The only woman in Les Six, she wrote inventive, clear music for stage and concert.

1893 – 1918Modernism

Lili Boulanger

The first woman to win the premier Grand Prix de Rome in composition, she left an intense body of work.

1898 – 193720th century and today

George Gershwin

An American composer who bridged jazz, Broadway and concert music.

1899 – 196320th century and today

Francis Poulenc

A member of Les Six, he combined wit with profound spiritual expression.

1900 – 199020th century and today

Aaron Copland

He developed an open American sound drawing on dance and folk traditions.

1906 – 1975Modernism

Dmitri Chostakovitch

He composed under Soviet political pressure, balancing irony, tragedy and ambiguity.

1910 – 198120th century and today

Samuel Barber

A lyrical American composer who wrote for voice, strings and orchestra.

1912 – 199220th century and today

John Cage

A radical experimenter who questioned chance, silence and the act of listening.

1913 – 197620th century and today

Benjamin Britten

He revitalized English opera and wrote accessible yet sophisticated music.

1918 – 199020th century and today

Leonard Bernstein

Conductor, educator and composer, he connected classical music, jazz and musical theatre.

1923 – 200620th century and today

György Ligeti

He created shifting sonic textures that blur the boundary between melody and sound mass.

1931 – 202520th century and today

Sofia Goubaïdoulina

A Tatarstan-born composer who explored spirituality, timbre and unusual instruments.

1935 –20th century and today

Arvo Pärt

His tintinnabuli style seeks simplicity and spiritual resonance.

1935 –20th century and today

Terry Riley

An American minimalist composer who explored repetition and improvisation.

1936 –20th century and today

Steve Reich

He explores rhythmic phasing, repetition and connections between speech and music.

1937 –20th century and today

Philip Glass

His repeated and evolving patterns helped popularize minimalist music.

1952 – 202320th century and today

Kaija Saariaho

A Finnish composer who sculpted timbre and texture with exceptional subtlety.

1961 –20th century and today

Unsuk Chin

A South Korean composer known for virtuosic and imaginative writing.

Créateur : Sébastien GT - Mes sites : Ébulle - Les inventeurs - Oukonjou